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les routes commencent à serpenter de façon presque inimaginable
le flou et la lumière tamisée pour créer une expérience sensorielle et synesthésique
Jeannie nait sur le sol américain
« Mal nommer les choses
The Tempest brings together various themes the Bard explored in his prior plays
Zone Jean-Philippe DELHOMME les routes commencent à serpenterIn ZONE, James Tunks plays at the peripheries of new and old knowledge. An anonymous text sets its protagonist in a kind of fever dream. Alone, abroad, and in possession of a secret camera prototype of unimaginable image making power, he considers the implications and sheer scope of the devices advancements. Using flashes of colour as a foil for meticulously detailed black and white, the subjects and their underlying symbolism whisper to both the past
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