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Un vrai courant d’air
the function of the image is not representation but only the reproduction of capital
ou : La description détaillée de ces nobles fruits
Because the word is easily perceived as just environment and the photographs and works are all made in and around the house
la guerre ou encore la discrimination ethnique
Square, Circle, Triangle Weir Un vrai courant d’airIn the early 1960s, Italian designer Bruno Munari published a series of visual case studies dedicated to fundamental geometric forms: Circle, Square, and, a decade later, Triangle. Drawing on examples from ancient Greece and Egypt as well as works by Buckminster Fuller, Le Corbusier, and Alvar Aalto, Munari explores the symbolic and functional qualities of these shapes. The circle evokes the divine, the square suggests safety and enclosure, and the
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